Pygmalion Karatzas studied Architecture at the Technical University of Budapest (1991-95), Urban Design at Heriot-Watt University in Edinburgh (1995-97), and practiced architecture for 12 years. In 2006 he participated in the first 'Ecovillage Design Education' training-of-trainers course in Findhorn organized by the Global Ecovillage Network and endorsed by the United Nations Institute for Training and Research. Since 2013 he is focusing systematically on architectural and fine art photography, producing a portfolio of 250+ architectural, commercial and artistic projects from Europe, USA and Middle East.
His images are regularly featured in Greek and international media, have received 89 distinctions from leading global photographic competitions and the prestigious Fulbright Artist Scholarship award 2015-2016, and are part of private and public collections. Since 2014 he is the photo editor for the Danish Architecture Center and a contributing photographer to Arcaid Images London, iStock Getty Images, and Adobe Stock. Divisare Atlas of Architecture ranks him among the top 100 architectural photographers worldwide. He has participated in exhibitions and fundraising in Greece, Italy, France, UK and USA, and produced 10 book collections, with the ‘Integral Lens’ book receiving 3rd place at the PX3 Prix de la Photographie Paris 2018 and shortlisted at the Trieste Photo Days Book Award. 'Nortigo - architectural abstractions' received 2nd place at the Moscow International Foto Awards 2019.
In affiliation with the University of Tennessee Knoxville and professor Mark DeKay, their paper on a multi-perspectival approach to architectural photography was presented at the 3rd Integral European Conference; at the 5th Trieste Photo Days Festival and in 2019 became part of an academic mini-term / traveling workshop curriculum. Through photojournalistic reportages, collaborations with architectural firms, businesses and organisations, as well as self-initiated projects, he exhibits his passion and dedication to the study, representation and dissemination of the built environment and its broader role as a cultural asset.
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I work on assignments for architectural firms, construction companies, high-end real estate, commercial and corporate clients, public and private organisations, to provide proficient images for their portfolios, marketing packages, print and web publications, exhibitions and competitions. Available to photograph throughout Greece and internationally.
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Integral Lens - a multi-perspectival approach to architectural photography
[extract from the paper co-authored with prof. Mark DeKay]
The ‘four quadrants’ of Ken Wilber’s integral approach take into consideration the interior and exterior aspects of both the individual and the collective perspectives of an investigated phenomenon, in order to provide a comprehensive study that respects all available dimensions in a non-reductionistic manner.
An integrally-informed approach to architectural photography also requires “touching all the bases”, that is, taking a comprehensive view from these four fundamental perspectives. One interpretation of the four quadrants for photography is illustrated in figure 1. Each quadrant can take on different labels, depending on the subject being considered. For photography, we have renamed these to fit.
1) Photographer’s Consciousness, “The Eye” (upper-left quadrant, interior/subjective/individual perspective). The UL domain encompasses aspects such as: perception, original impulse and intention, intuition, insight, self-expression, truthfulness, vision, spontaneity and freedom, state of mind (concentration, mindfulness, awareness), aspiration and motivation, discipline, introspection, psychological barriers, the soul and spirit.
2) Photographic Product, “The Frame” (upper-right quadrant, exterior/objective/individual perspective). The UR domain encompasses aspects such as: composition, proportion, rhythm, symmetry, balance, tonality, form, coherence, structure, novelty, repetition, simplicity/complexity, measurable and observable features.
3) Photography Culture, “The View” (lower-left quadrant, interior/collective/intersubjective perspective). The LL domain encompasses aspects such as: content, themes, series, styles and movements, cultural background, historical reception and viewer response, literary theory and influences, values and ethics, communication and feedback, meaning and symbols, legitimacy and appropriateness, pluralism and relativism, worldviews and paradigm shifts.
4) Photography Systems, “The System” (lower-right quadrant, exterior/objective/collective perspective). The LR domain encompasses aspects such as: photographic gear and technology, post-processing, printing and editing, presentation and exhibition, production and distribution, utility, function, client brief, business, regulations and rights, information and knowledge, institutions and networks, social/ economic/ political/ environmental conditions and contexts.
All of these are partial perspectives on the holistic endeavor that is the photographic phenomenon. The perspectives are both distinct and ever-present. Indeed there are schools of thought attached to each of the four major perspectives.
The integral perspective pays homage to the major past and present genres of the field, from the early realists and pictorialists to the postmodernists and editorialists. Put together, they highlight four broader functions of the historic relationship between architecture and photography:
- Documenting and portraying the built environment and the urban condition,
- Making architecture with photography,
- Producing architectural critique and contributing to urban discourse,
- Establishing an expressive dialogue with the contemporary urban landscape and aspiring to something greater.
M.Sc. Urban Design
Photo Editor, arcspace.com
Link to the full paper: